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Gladiator Bones Confirm Humans Fought Lions in Roman Era

A skeleton unearthed in England offers the first physical evidence of human-animal combat in Roman Europe.

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A first-century terracotta panel depicting a gladiatorial battle between humans and lions. Source: Museo Nazionale Romano, Rome.

 

From ceramic panels to mosaic tiles, thrilling scenes of gladiators fighting lions appear in many Roman-era artworks. Until now, archaeological evidence of such a battle actually occurring had never been identified.

 

A new study, centered on a single skeleton from a Roman cemetery in England, has finally revealed what researchers are calling “the first physical evidence of human-animal gladiatorial combat from the Roman period seen anywhere in Europe.”

Human-Animal Gladiatorial Battles in Ancient Rome

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A carnelian intaglio of a gladiator fighting a lion, produced in the early 1st century CE. Source: The Metropolitan Museum of Art, New York.

 

In ancient times, the venatio (Latin for “hunting”) was a popular form of entertainment in Roman amphitheaters involving the hunting and killing of wild animals. These events were held in the morning before the afternoon’s famed gladiatorial duels. Works of art from the Early Imperial Period depict armed gladiators pitted against wild animals from far reaches of the empire. Roman spectators were especially excited to see the gladiators face off against lions, which were imported from North Africa and Syria.

 

There is a plethora of artistic evidence for human-lion gladiatorial battles. Now, a recent study, published in PLOS One and led by Professor Tim Thompson of Maynooth University, provides physical proof of such events for the first time. The study focuses on skeletal remains discovered at Driffield Terrace, a burial site near the Roman city of Eboracum in York, England. The burial site has long been assumed to contain gladiator graves due to evidence of intense physical training and violence, as well as a high incidence of decapitations.

 

Research Reveals Lion Bite on Gladiator’s Pelvic Bone

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3D scans revealed fatal bite marks on the gladiator’s pelvic bone. Source: PLOS One.

 

One particular skeleton, belonging to a young gladiator and bearing signs of fatal injuries, was unearthed at Driffield Terrace nearly twenty years ago. Thompson’s team decided to take another look at this skeleton. They used 3D scanning technology and comparisons with bite patterns from zoo animals to determine that visible wounds on the man’s pelvic bones were “entirely consistent with documented cases of large cat bite marks.” The lion bite appeared to never have healed, which suggests it led to the gladiator’s death shortly thereafter.

 

Thompson told BBC News, “We think this gladiator was fighting in some sort of spectacle and was incapacitated, and that the lion bit him and dragged him away by his hip.” The gladiator’s skeleton was also found decapitated—a common funerary rite at the time. In this case, however, researchers believe the man may have been decapitated as a mercy killing after suffering the lion bite.

 

In a statement, Thompson said, “This discovery provides the first direct, physical evidence that such events took place in this period, reshaping our perception of Roman entertainment culture in the region.” Malin Holst, a lecturer in osteoarchaeology at the University of York, added, “This is a hugely exciting find because we can now start to build a better picture of what these gladiators were like in life.” Holst also underscored that the new evidence “confirms the presence of large cats, and potentially other exotic animals, in arenas in cities such as York.”

Emily Snow

Emily Snow

News, Discoveries, Interviews, and In-depth Reporting

Emily is an art historian and writer based in the high desert of her native Utah. In addition to writing about her favorite art historical topics, she covers daily art and archaeology news and hosts expert interviews for TheCollector. She holds an MA in art history from the Courtauld Institute of Art with an emphasis in Aesthetic Movement art and science. She loves knitting, her calico cat, and everything Victorian.