The Jaguars of Yuruparí: Shamans of the Amazon Rainforest

The jaguar shamans of Yuruparí are spiritual leaders of indigenous communities in the northwestern part of the Amazon rainforest, whose role is reproducing ancestral knowledge.

Sep 1, 2024By Juan Sebastián Gómez-García, MA Ethnochoreology and Anthropology of Dance

yurupari jaguar shamans amazon rainforest

 

In the heart of the northwestern Amazon rainforest, in a geographic region shared by Colombia and Brazil, the jaguar shamans of Yuruparí are the most important spiritual and religious leaders of local indigenous communities, grouped in a macrofamily called the Eastern Tukano people. Today, 200 of these communities are settled alongside the Vaupés River, the Pirá Paraná River, and its correspondent streams. These people comprise the Arapaso, Bará, Barasano, Desana, Karapana, Cubeo, Makuna, Mirita-Tapuya, Siriano, Tariana, Tukano, Makuna, Kotiria, Tatuyo, Taiwano and Yurutí communities.

 

The Indigenous Communities of Yuruparí

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Photo of Vaupés River by Alejandro Campuzano. Source: Instituto SINCHI.

 

The region where the Eastern Tukano peoples are settled is also known as the macro territory of Yuruparí, which represents 37% of the total area of the Amazon rainforest. It covers 8.5 million acres that are home to 63 indigenous communities, 34 languages, and approximately 6,000 inhabitants.

 

Although there are social, cultural, and linguistic differences that distinguish one group from the other, all of the Eastern Tukano communities share similar means of subsistence, such as fishing and agriculture, with mandioca (cassava) as the primary food source. They generally reside in malocas, architectural living spaces that have a rounded base and a triangular roof with two openings, representing the structure of the cosmos. These communities also share similar rituals, dances, music and instruments, which allow them to celebrate events among different communities that come together for economic and social exchanges.

 

photo inside maloca amazon
Photo taken inside a maloca, Sergio Bartelsman, 2006. Source: UNESCO

 

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Each group has distinct daily and ritual objects, including a specific set of Yuruparí flutes made of Paxiúba palm, representing their ancestors’ bones, sounds and singing. These flutes represent the mythological ancestry as well as the true ancestral lineage of each community.

 

The common foundational myth among these communities centers on the  ancestral anaconda, who penetrated the Universe (house) and swam up the Río Negro (Black River) and the Vaupés River with all the ancestors of humanity inside its body, which it distributed to their corresponding territories along the river banks.

 

The Shamans of Yuruparí

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A design depicting the Shamans-Jaguars of Yuruparí by Iván Sawyer García, 2020. Source: El Proyecto Esperanza

 

Among the communities of the Eastern Tukano family, in the Colombian region of the Amazon rainforest, all men are expected to know the spiritual properties of nature and the mythical and cosmological structures of their society. Shamans are specific men among them who are believed to have special powers and esoteric knowledge. They are specialists that mediate among humans, animals, plants, spirits, objects, the natural environment and climate phenomena.

 

Although most shamans are men, women’s abilities to menstruate and give birth are considered to be equivalent to shamanic male powers. This “natural” shamanic power women have explains why the original ancestors of these communities were created by a female figure.

 

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Photo of traditional Shaman/Knowledge holder by Sergio Bartelsman, 2006. Source: UNESCO.

 

Shamans, also known as payés, are experts in healing and acting as intermediaries in the relationships between humans and animals. One of the most common ritualistic acts that these shamans direct is the blowing of tobacco smoke directly through the nose. This practice is known to be a highly intense and powerful experience for the body. In addition, their role as intermediaries between the terrestrial and spiritual worlds is often achieved through the consumption of hallucinogenic substances such as yagé (a preparation made from the ayahuasca plant) and coca.

 

In local languages, these payés are known as yai, which means jaguar. Kumu shamans are another type of religious specialist, focusing more on the production and reproduction of mythologies and ritualistic procedures. Their powers are the result of exhaustive training and practice throughout their lives. While the yai may be considered marginal in the community’s social structure, the kumu can achieve political importance.

 

Why the Jaguar?

canvas of jaguar shaman
Oil on canvas depicting a jaguar-shaman by Jeisson Castillo. Source: Centro Amazónico de Antropología y Aplicación Práctica.

 

As one of the most respected animals of the rainforest the jaguar has widespread influence in the cultural lives of these communities. Historically the jaguar has been identified as a mythological icon among communities from other parts of the American continent, such as the Mayas and the Aztecs, as well. These societies venerated the jaguar by creating stone sculptures representing their mystical and sacred powers.

 

This animal has had great importance in the cultural development of the Amazon rainforest. Beliefs, myths and ritualistic practices have developed around the jaguar, which is associated with natural phenomena like thunder, sun, moon, caves, mountains and fire.

 

Anthropologists and archaeologists have widely recorded the association between shamans and jaguars and the assignation of mystical powers to these felines, known to be one of the most remarkable animal species of the Amazon rainforest. The figures of the shaman and the jaguar are considered interchangeable, a close relationship that suggests that their powers are similar, as is their role in nature and society.

 

The jaguar and the shaman represent both power and danger. Shamans can choose to dedicate their powers to curing illnesses or to causing sickness or death. The communities that venerate the figure of the jaguar believe that shamans can become jaguars at will or after death. In ceremonial events, the shamans dress in jaguar skins and necklaces made of jaguar teeth.

 

The Rituals and Flutes of Yuruparí

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Photo of jaguar shamans dancing by Sergio Bartelsman, 2006. Source: UNESCO

 

The kumu shamans are specialists in the rituals for boys’ passage to adulthood, also known as the rituals of Yuruparí. These rituals involve contact between living humans and the dead, known to be a dangerous practice that requires extreme care to be undertaken. Kumu shamans assume the role of protectors to ensure the correct execution of the ritual, which involves the correct use of the sacred flutes, also called the flutes of Yuruparí. This ritual has been recognized as the maximum expression of the religious life of these communities, as it culturally sustains elements of ancestry, group identity, reproduction, the relationship between men and women, growth, death, regeneration and the integration of the human life cycle with cosmological time.

 

When the sacred flutes of Yuruparí are played, the shaman enters a direct connection with the bodies of the community’s ancestors, which the flutes represent. This process eliminates the separation between past and present or between the dead and the living.

 

The sacred flutes can only be played by men. This reflects a historical tension between women and men, as the myth of Yuruparí narrates that initially, it was the women who had control over the flutes, while men were in charge of the household’s activities, were assigned most of the care labor and were even capable of menstruating. This changed when men stole the flutes and inverted the gender-designated natural and societal roles.

 

Sustainability and Preservation of Yuruparí’s System of Beliefs Today

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Photo of Barasana shaman after a traditional ritual by Sergio Bartelsman, 2006. Source: UNESCO.

 

Today, the region where the Eastern Tukano communities reside represents an excellent example of how social and geographical isolation have allowed the forest to preserve its natural and cultural richness. Reaching the malocas that still exist alongside the Pirá Paraná River, where the Eastern Tukano communities live, is difficult. One must travel to the small Colombian city of Mitú, in the middle of the rainforest. From there, the only transportation available is a small boat that takes a week to reach the malocas.

 

This region has historically been incredibly inaccessible, even during the massive rubber exploitation at the end of the 19th century, which attracted merchants and settlers from other countries in the continent as well as Europe. Today, there are still research expeditions to record yet-unknown plant and animal species, facilitating contact between indigenous communities and people from other regions of the world.

 

Nonetheless, social isolation has allowed the local indigenous communities to preserve the myths and rituals surrounding the Yuruparí, the jaguar shamans being the primary gatekeepers. In 2011, their knowledge was recognized by UNESCO and included on the Representative List of the World’s Intangible Cultural Heritage as the “Traditional knowledge of the jaguar shamans of Yuruparí.” As a result, the protection of indigenous peoples’ beliefs and rituals was established, and recognition of their knowledge as an essential pillar of the Amazon rainforest’s cultural, biological, and ecological importance for the world has become more widespread.

 

The beliefs and practices surrounding the Yuruparí are of great interest to people seeking to study and understand the Amazon rainforest’s mystical dimensions. The myth and practice have survived years of persecution, during which different colonial and economic powers have worked in favor of the foreign interests that have profoundly affected the forest, at the expense of local communities. As with many other dimensions of the cultural life of indigenous communities of the Amazon rainforest, the Yuruparí and its jaguar shamans offer deep wisdom on the ways different beings can inhabit the forest in balanced and reciprocal ways—knowledge that has great importance in contemporary times where natural environments are being damaged by commercial exploitation.

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By Juan Sebastián Gómez-GarcíaMA Ethnochoreology and Anthropology of DanceJuan Sebastian Gomez-Garcia is a Colombian anthropologist holding an MA in Dance Knowledge, Practice and Heritage from an Erasmus Mundus program in France, Hungary, Norway, and the UK, where he investigated the bodily transformative power of queer nightlife in Berlin from kinesthetic and phenomenological approaches. Throughout his career as a scholar, he has been interested in the sociocultural aspects of bodily experiences, affects and movement experiences in contexts of political urgency and social change. Currently, he works as a contributing writer for art and culture magazines and as the guest editor of Conversations Across the Field of Dance Studies from the Dance Studies Association in the US.